Read an excerpt from Nana Kwame Adjei-Brenyah’s extraordinary, bestselling debut, Friday Black
Friday Black is a piercingly raw debut story collection from Nana Kwame Adjei-Brenyah, a young writer with an explosive voice; a treacherously surreal, and, at times, heartbreakingly satirical look at what it’s like to be young and black in America.
Read an excerpt from the book below.
About the book
Friday Black tackles urgent instances of racism and cultural unrest, and explores the many ways we fight for humanity in an unforgiving world. In the first, unforgettable story of this collection, The Finkelstein Five, Adjei-Brenyah gives us an unstinting reckoning of the brutal prejudice of the US justice system.
In ‘Zimmer Land’ we see a far-too-easy-to-believe imagining of racism as sport. And ‘Friday Black’ and ‘How to Sell a Jacket as Told by Ice King’ show the horrors of consumerism and the toll it takes on us all.
Fresh, exciting, vital and contemporary, Friday Black will appeal to people who love Colson Whitehead’s Underground Railroad, the TV show Black Mirror, the work of Kurt Vonnegut and George Saunders, and anyone looking for stories that speak to the world we live in now.
Praise for Friday Black:
‘These stories are an excitement and a wonder: strange, crazed, urgent and funny, yet classical in the way they take on stubborn human problems: the depravities of capitalism, love struggling to assert itself within heartless systems. The wildly talented Adjei-Brenyah has made these edgy tales immensely charming via his resolute, heartful, immensely likeable narrators, capable of seeing the world as blessed and cursed at once.’
– George Saunders
‘The edge of the stories in Nana Kwame Adjei-Brenyah’s debut collection Friday Black is razor sharp, ready to cut deep. This book is dark, captivating and essential. This books is a call to arms and it is a condemnation. Adjei-Brenyah offers powerful prose as parable. The writing in this outstanding collection will make you hurt and demand your hope. Read this book. Marvel at the intelligence of each of these stories and what they reveal about racism, capitalism, complacency and their insidious reach.’
– Roxane Gay
Read an excerpt:
Fela, the headless girl, walked toward Emmanuel. Her neck jagged with red savagery. She was silent, but he could feel her waiting for him to do something, anything.
Then his phone rang, and he woke up.
He took a deep breath and set the Blackness in his voice down to a 1.5 on a 10-point scale. ‘Hi there, how are you doing today? Yes, yes, I did recently inquire about the status of my application. Well, all right, okay. Great to hear. I’ll be there. Have a spectacular day.’ Emmanuel rolled out of bed and brushed his teeth. The house was quiet. His parents had already left for work.
That morning, like every morning, the first decision he made regarded his Blackness. His skin was a deep, constant brown. In public, when people could actually see him, it was impossible to get his Blackness down to anywhere near a 1.5. If he wore a tie, wing-tipped shoes, smiled constantly, used his indoor voice, and kept his hands strapped and calm at his sides, he could get his Blackness as low as 4.0.
Though Emmanuel was happy about scoring the interview, he also felt guilty about feeling happy about anything. Most people he knew were still mourning the Finkelstein verdict: after twenty-eight minutes of deliberation, a jury of his peers had acquitted George Wilson Dunn of any wrongdoing whatsoever. He had been indicted for allegedly using a chain saw to hack off the heads of five black children outside the Finkelstein Library in Valley Ridge, South Carolina. The court had ruled that because the children were basically loitering and not actually inside the library reading, as one might expect of productive members of society, it was reasonable that Dunn had felt threatened by these five black young people and, thus, he was well within his rights when he protected himself, his library-loaned DVDs, and his children by going into the back of his Ford F-150 and retrieving his Hawtech PRO eighteen-inch 48cc chain saw.
The case had seized the country by the ear and heart, and was still, mostly, the only thing anyone was talking about. Finkelstein became the news cycle. On one side of the broadcast world, anchors openly wept for the children, who were saints in their eyes; on the opposite side were personalities like Brent Kogan, the ever gruff and opinionated host of What’s the Big Deal?, who had said during an online panel discussion, ‘Yes, yes, they were kids, but also, fuck niggers.’ Most news outlets fell somewhere in-between.
On verdict day, Emmanuel’s family and friends of many different races and backgrounds had gathered together and watched a television tuned to a station that had sympathised with the children, who were popularly known as the Finkelstein Five. Pizza and drinks were served. When the ruling was announced, Emmanuel felt a clicking and grinding in his chest. It burned. His mother, known to be one of the liveliest and happiest women in the neighborhood, threw a plastic cup filled with Coke across the room. When the plastic fell and the soda splattered, the people stared at Emmanuel’s mother. Seeing Mrs Gyan that way meant it was real: they’d lost. Emmanuel’s father walked away from the group wiping his eyes, and Emmanuel felt the grinding in his chest settle to a cold nothingness. On the ride home, his father cursed. His mother punched honks out of the steering wheel. Emmanuel breathed in and watched his hands appear, then disappear, then appear, then disappear as they rode past streetlights. He let the nothing he was feeling wash over him in one cold wave after another.
But now that he’d been called in for an interview with Stich’s, a store self-described as an ‘innovator with a classic sensibility’ that specialized in vintage sweaters, Emmanuel had something to think about besides the bodies of those kids, severed at the neck, growing damp in thick, pulsing, shooting blood. Instead, he thought about what to wear.
In a vague move of solidarity, Emmanuel climbed into the loose-fitting cargoes he’d worn on a camping trip. Then he stepped into his patent-leather Space Jams with the laces still clean and taut as they weaved up all across the black tongue. Next, he pulled out a long-ago abandoned black hoodie and dove into its tunnel. As a final act of solidarity, Emmanuel put on a gray snapback cap, a hat similar to the ones two of the Finkelstein Five had been wearing the day they were murdered—a fact George Wilson Dunn’s defense had stressed throughout the proceedings.
Emmanuel stepped outside into the world, his Blackness at a solid 7.6. He felt like Evel Knievel at the top of a ramp.