African perspectives on gender, social justice and sexuality: Africa in Dialogue interviews the Gerald Kraak Award shortlist
More about the book!

Africa in Dialogue has published an online collection of interviews with all the writers and artists shortlisted for the 2016 Gerald Kraak Award.

The Gerald Kraak Award, and its resulting anthology, focuses on the topics of gender, human rights and sexuality, and is open to writers and photographers across Africa. The 2017 edition of the prize is open for submissions until 24 July, 2017.

This year the award was won jointly by Farah Ahamed (Fiction, Kenya), for her short story ‘Poached Eggs’, and Sarah Waisman (Photography, Kenya), for her photo series ‘Stranger in a Familiar Land’.

The Gerald Kraak Award is a joint initiative between The Other Foundation and the Jacana Literary Foundation. The 2016 award was judged by distinguished gender activist Sisonke Msimang, prominent social and political analyst Eusebius McKaiser and leading African feminist Sylvia Tamale.

This year’s anthology is titled Pride and Prejudice.

To complement the anthology, Africa in Dialogue curator Gaamangwe Joy Mogami interviewed the 2016 Gerald Kraak Award shortlistees, with the resulting PDF being available to download for free here!

Read Mogami’s introduction to the interviews:

To read is to have all your three eyes turned upside down, onto themselves, outwards to the world before and beneath you. It is to pull the veil and to discover the whole world: the one you know and the one you didn’t know existed out there and inside you. Reading Pride and Prejudice, the Gerald Kraak Anthology: African Perspectives on Gender, Social Justice and Sexuality was a mash-up of all my eyes turned up and down, sideways and at some point almost out of my eye sockets. It was a jarring experience, mostly because I didn’t know how much I yearned to read these different and important perspectives on gender, sexuality and human rights. And when I went further and extended my experience of my reading, to engaging in dialogues with the writers of these incredibly, powerful stories, I entered an entirely new space of existence.

The thing of discussing and deciphering the meanings and ideologies of gender, sexuality and human rights is much like attempting to dissect and understand a magic spell. It is half of a whole experience because first of all to describe the spark that transmute thoughts into visual and emotionally-evoking imagery in stories is an elusive endeavor. We are yet to crack open the spell of where and how and why stories come to and through storytellers.

Second, gender and sexuality, social justice and human rights exists in many intersections, spectrums and understandings. The perspectives shared here are as vast and diverse as the seconds of the day. Our meditations traveled everywhere: the danger of homophobia and the origin of patriarchy and misogyny with Otosirieze; the invincibility of the clitoris and commercialized versions of sexuality with Tania; the homophobic bill and commodification of maternal health with Dilman; social advocacy of the human rights of people living with albinism with Sarah; how the system and communities fails LGBTI individuals and the lack of access to education with Beyers, grief and the gravity of the inhuman moments in our histories with Sindiswa; collective and domestic violence towards homosexual individuals with Olakunle; deeply entrenched shame towards nudity and acts of pleasure with Julia; the danger of anti-gay laws and the need for policy change with Ayodele; active resistance towards negative social attitudes of basic human rights with Farah and queer narratives and the intersection of sexuality and religion with Amatesiro. Together, we discovered there is much to learn, relearn and unlearn about gender, sexuality and human rights. We must be proactive about creating new narratives and meanings of ourselves and our humanity.