‘Now, he jerked the pistol at her. Get up.’ – Read an excerpt from A Spark of Light, the new novel by Jodi Picoult
More about the book!

Jodi Picoult’s A Spark of Light is a powerful and provocative new novel about ordinary lives intersecting during a moment of heart-stopping crisis.

It is a masterful new novel from the Number One bestselling author of Small Great Things.

About the book

The Center for women’s reproductive health offers a last chance at hope – but nobody ends up there by choice.

Its very existence is controversial, and to the demonstrators who barricade the building every day, the service it offers is no different from legalised murder.

Now life and death decisions are being made horrifyingly real: a lone protester with a gun has taken the staff, patients and visitors hostage.

Starting at the tensest moment in the negotiations for their release, A Spark of Light unravels backwards, revealing hour by urgent hour what brought each of these people – the gunman, the negotiator, the doctors, nurses and women who have come to them for treatment – to this point.

And certainties unwind as truths and secrets are peeled away, revealing the complexity of balancing the right to life with the right to choose.

Picoult has shared an excerpt from the book on her website. Read on!

An excerpt from A Spark of Light:

Five P.M.

The Center squatted on the corner of Juniper and Montfort behind a wrought-iron gate, like an old bulldog used to guarding its territory. At one point, there had been many like it in Mississippi—nondescript, unassuming buildings where services were provided and needs were met. Then came the restrictions that were designed to make these places go away: the halls had to be wide enough to accommodate two passing gurneys; any clinic where that wasn’t the case had to shut down or spend thousands on reconstruction. The doctors had to have admitting privileges at local hospitals—even though most were from out of state and couldn’t secure them—or the clinics where they practiced risked closing, too. One by one the clinics shuttered their windows and boarded up their doors. Now, the Center was a unicorn—a small rectangle of a structure painted a fluorescent, flagrant orange, like a flag to those who had traveled hundreds of miles to find it. It was the color of safety; the color of warning. It said: I’m here if you need me. It said, Do what you want to me; I’m not going.

The Center had suffered scars from the cuts of politicians and the barbs of protesters. It had licked its wounds and healed. At one point it had been called the Center for Women and Reproductive Health. But there were those who believed if you do not name a thing, it ceases to exist, and so its title was amputated, like a war injury. But still, it survived. First it became the Center for Women. And then, just: the Center.

The label fit. The Center was the calm in the middle of a storm of ideology. It was the sun of a universe of women who had run out of time and had run out of choices, who needed a beacon to look up to.

And like other things that shine so hot, it had a magnetic pull. Those in need found it the lodestone for their navigation. Those who despised it could not look away.

Today, Wren McElroy thought, was not a good day to die. She knew that other fifteen-year-old girls romanticized the idea of dying for love, but Wren had read Romeo and Juliet last year in eighth-grade English and didn’t see the magic in waking up in a crypt beside your boyfriend, and then plunging his dagger into your own ribs. And Twilight—forget it. She had listened to teachers paint the stories of heroes whose tragic deaths somehow enlarged their lives rather than shrinking them. When Wren was six, her grandmother had died in her sleep. Strangers had said over and over that dying in your sleep was a blessing, but as she stared at her nana, waxen white in the open coffin, she didn’t understand why it was a gift. What if her grandmother had gone to bed the night before thinking, In the morning, I’ll water that orchid. In the morning, I’ll read the rest of that novel. I’ll call my son. So much left unfinished. No, there was just no way dying could be spun into a good thing.

Her grandmother was the only dead person Wren had ever seen, until two hours ago. Now, she could tell you what dying looked like, as opposed to just dead. One minute, Olive had been there, staring so fierce at Wren—as if she could hold on to the world if her eyes stayed open—and then, in a beat, those eyes stopped being windows and became mirrors, and Wren saw only a reflection of her own panic.

She didn’t want to look at Olive anymore, but she did. The dead woman was lying down like she was taking a nap, a couch cushion under her head. Olive’s shirt was soaked with blood, but had ridden up on the side, revealing her ribs and waist. Her skin was pale on top and then lavender, with a thin line of deep violet where her back met the floor. Wren realized that was because Olive’s blood was settling inside, just two hours after she’d passed. For a second, Wren thought she was going to throw up.

She didn’t want to die like Olive, either.

Which, given the circumstances, made Wren a horrible person.

The odds were highly unlikely, but if Wren had to choose, she would die in a black hole. It would be instant and it would be epic. Like, literally, you’d be ripped apart at the atomic level. You’d become stardust.

Wren’s father had taught her that. He bought her her first telescope, when she was five. He was the reason she wanted to be an astronaut when she was little, and an astrophysicist as soon as she learned what one was. He himself had had dreams of commanding a space shuttle that explored every corner of the universe until he got a girl pregnant. Instead of going to grad school, he had married Wren’s mom and become a cop and then a detective and had explored every corner of Jackson, Mississippi, instead. He told Wren that working for NASA was the best thing that never happened to him.

When they were driving back from her grandmother’s funeral, it had snowed. Wren—a child who’d never seen weather like that in Mississippi before—had been terrified by the way the world swirled, unmoored. Her father had started talking to her: Mission Specialist McElroy, activate the thrusters. When she wouldn’t stop crying, he began punching random buttons: the air-conditioning, the four-way flashers, the cruise control. They lit up red and blue like a command center at Mission Control. Mission Specialist McElroy, her father said, prepare for hyperspace. Then he flicked on his brights, so that the snow became a tunnel of speeding stars, and Wren was so amazed she forgot to be scared.

She wished she could flick a switch now, and travel back in time.

She wished she had told her dad she was coming here.

She wished she had let him talk her out of it.

She wished she hadn’t asked her aunt to bring her.

Aunt Bex might even now be lying in a morgue, like Olive, her body becoming a rainbow. And it was all Wren’s fault.

You, said the man with a gun, his voice dragging Wren back to the here and now. He had a name, but she didn’t want to even think of it. It made him human and he wasn’t human; he was a monster. While she’d been lost in thought, he’d come to stand in front of her. Now, he jerked the pistol at her. Get up.

The others held their breath with her. They had, in the past few hours, become a single organism. Wren’s thoughts moved in and out of the other women’s minds. Her fear stank on their skin.

Blood still bloomed from the bandage the man had wrapped around his hand. It was the tiniest of triumphs. It was the reason Wren could stand up, even though her legs were jelly.

She shouldn’t have come here.

She should have stayed a little girl.

Because now she might not live to become anything else.

Wren heard the hammer click and closed her eyes. All she could picture was her father’s face—the blue-jean eyes, the gentle bend of his smile—as he looked up at the night sky.